《斯巴达克斯：竞技场之神》（Spartacus God of Arena）实际上就是《斯巴达克斯：血与沙》（Spartacus Blood And Sand）的前传，在这个Batiatus家族崛起的故事中，Lucy Lawless和John Hannah成为人们关注的焦点，他们在Spartacus成为被俘的色雷斯奴隶前就已经是Batiatus家族的优胜者

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

《复仇之夜》是1916年上映的丹麦电影，由本杰明·克里斯滕森导演；本杰明·克里斯滕森，Karen Caspersen，Peter Fjelstrup等人主演。本片讲述被诬告杀人的马戏团力士约翰，连夜带着襁褓中的儿子逃离，在大雪纷飞的夜里潜入富豪家中，好心的安虽愿意伸出援手，无奈被家人发现，约翰也被五花大绑扭送大牢。约翰一心以为安出卖了他，誓言报复决不罢休；十四年后，儿子早已不知去向，假释出狱的约翰展开了他的报复计划。全片成熟营造出惊悚电影的悬疑氛围，在镜头运用上打破当时默片的形式，透过匙孔窥视的主观镜头更是当时的一大创举。在富裕的兰顿庄园举办的除夕派对上，一名名叫“壮汉”约翰·赛克斯的逃犯带着他尚在襁褓中的儿子在雪地里艰难前行。约翰闯入兰顿家，进入该家女儿安的房间。他发现了一个饰有她名字的珠宝盒。里面有一条珍珠项链，但他没有拿。兰顿一家和他们的客人得知约翰已越狱并因谋杀罪被通缉。参加聚会的人收集武器追捕罪犯，但安不同意。当她回到自己的房间时，约翰恳求她不要告诉任何人他在那里，并给他儿子喝牛奶。她同意了，但在厨房里被参加派对的人抓住了。他们利用安引诱约翰逮捕一名公民。愤怒的他责怪安，并发誓出狱后要“在她的脖子上绑一根绳子”。十四年后，安与理查德·韦斯特博士结婚，他们是十五岁的养子鲍勃和两岁的亲生女儿安妮的父母。约翰出狱后，现在已经是一个处于半神游状态的破碎的人，他忘记了他对安的威胁。在马戏团里，驯象师威尔肯斯教授读到约翰被释放的消息，得知警方现在怀疑约翰有罪，他感到很紧张。约翰试图从孤儿院带回他的儿子，但被告知这个男孩是被秘密收养的，并且没有得到更多信息。约翰沮丧地在街上徘徊，直到他遇到了监狱木工店的一位老朋友。老朋友带约翰来到了绰号为“斯利姆”的黑帮山姆·莫顿的总部。在马戏团，威尔肯斯精神崩溃，从楼梯上摔了下来。在临终前，他承认了约翰被指控的谋杀案。韦斯特夫妇离开联排别墅前往乡间别墅度假后，莫顿的团伙抢劫了空置的住宅。约翰被带了过来，尽管他最初并不理解该组织的使命。约翰在赃物中发现了安的珠宝盒，并记起了他的复仇誓言。半夜，约翰拨打了一个假医疗紧急电话，诱骗韦斯特医生离开他的家人。安意识到她的丈夫忘记了乐器箱的钥匙，于是派鲍勃去找他。当韦斯特医生到达假紧急情况时，约翰把他绑了起来。鲍勃很快就到了，约翰把男孩锁在柜子里然后离开。然而，鲍勃和他的父亲设法拿到电话并报了警。约翰到达乡间别墅并追赶安。她设法隐藏起来，但为了阻止他伤害安妮，她被迫暴露自己。当他试图杀死安时，警察赶到并射杀了约翰。第二天，他的谋杀罪名被洗清，鲍勃就是他的儿子。约翰在床上平静地去世，韦斯特一家坐在他身边。

简是一位作家，也是一名年轻的母亲。简的医生丈夫约翰为了对产后忧郁的妻子进行休养治疗，带她去了一个偏远的乡村庄园避暑。简被丈夫为她精心挑选的卧室里的黄色壁纸迷住了。之后，简发现一个女人竟被困在壁纸中，简试图解救她。。。

Also new to the slate is recently completed Australian title Rough Stuff, an action-adventure story about an activist group which makes a dubious deal with a group of treasure seekers and their modified four-wheel-drives on an expedition through the Australian outback.

毒贩和他的女同伙在他们的最后一次任务上反水了他们的老板，最后被困在时间循环中。

Sam, a brilliant computer hacker seeking a better life, always seems to make the wrong choices, even under the watchful eye of his probation officer, Harry. Now, barred from using the Internet and stuck working fast food with his best friend and fellow hacker, Stanley, Sam poses as a Postal Worker, stealing people's mail to make ends meet. Until one letter changes everything. Written by the beautiful Josie to her dead husband, a Marine killed in Afghanistan, the heart-wrenching missive wakes something in Sam. Desperate to become worthy of such love, he begins following Josie and stealing more letters, until finally finding the courage to introduce himself. As Sam and Josie grow closer, she warms to the possibility of a new life as he's reminded of the values left behind in childhood. But fate shows its hand when Sam's past catches up with him in the form of an aggressive FBI agent and missing Bitcoins. When Josie discovers the truth, she must decide if the betrayal will force her back...

一个时尚编辑和一个模特儿到另一座城市出差，两人各自发生艳遇，但春梦一觉醒来，才得见内心的惶恐。上世纪50年代的伯格曼作品经常有强迫深刻的意味，如本片对女性梦想、痛苦、挣扎等跟男人的关系作了探讨，虽然是部讽刺喜剧，但有一种焦距不准的模糊。

A mixed couple move to Los Angeles for a fresh start. But old wounds and resentments are re-ignited when the wife’s twin sister pays a visit.

Rakkawasbornwiththeabilitytocommunicatewiththespiritsofthedead.Thisabilitytortureshim,astheyoftenappeartohelpsettletheirgrudgesorsolvetheirproblems.Rakkaoftenhelpspoliceuncovermurdersuspectsandwherevictimsareburied.Rakka’sabilitymakeshimostracizedatschool.RakkadecidestomovetoBogortolivewithhisuncle,Ajat,whoalsohasthesameability.Rakkameetsabeautifulghostwhocan’trememberhername.RakkabeginstobondwiththisghostnamedDinibecausesheistheonlypersonwhocanunderstandRakka.Diniforgetsherpastandhasnopurpose.Feelingpityforthissituation,RakkaintendstohelpDinirememberherpast.Meanwhile,athisnewschool,terrorappearsfromamysteriousghostfigurewhoisseenwearingabloodymask.SomeofRakka’sfriendsdisappeared.Rakkausesherabilitiestofindoutthereasonbehindthisghostterror.