A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.                                                                    Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

跟随纽约的各种人物在一天的时间里处理个人关系和意想不到的问题。　入围圣丹斯电影节 主竞赛单元之一的NEXT单元在纽约市的一天，一名记者在培训一名新员工的同时，报道了一起可能发生的谋杀案，一名手表修理工可能掌握了重要信息；一位唱片收藏家发现了一张稀有的黑胶唱片；两个兄弟找到了他们姐姐的前男友，后者在网上发布了她的裸照。一个疑惑的少女探索了她亲吻一个男孩时的感受。然后迈克尔·塞拉（Michael Cera）作为一名调查记者和他的新实习生（艾比·雅各布森（ Abbi Jacobson ））在镇上跑来跑去。（这多奇怪啊？工作记者！）这是她上班的第一天，塞拉饰演的书呆子菲尔让雅各布森饰演的胆小鬼克莱尔跟踪并大声质问一名死得很可疑的男人的遗孀。作为失去亲人的妻子，米凯拉·沃特金斯 (Michaela Watkins)几乎没什么事可做，只是戴着超大墨镜在城里闲逛。她就像一个从一部更广泛的喜剧中偶然闯入的蛇蝎美人。与此同时，菲尔通过他那可怕的金属乐队为克莱尔演奏高亢的音乐，竭尽全力与克莱尔建立联系。这又是一个怪癖。