过去若有怪兽从环太平洋现身，都会有专为击退牠们而造的巨大机甲猎人奋力反抗。但好景不常，如今澳洲遭到怪兽肆虐，全洲人类被迫疏散。泰勒和海莉这对年幼的兄妹不幸走失，著急地寻找不见踪影的父母，过程中，两人学会操控一个废弃许久的破烂机甲猎人，因而有了突破眼前难关，杀出一线生机的希望。

Miyu went to Seoul, Korea to study and look for her older sister who went missing two years ago. One day Miyu got to know Hana who was a famous plastic surgeon and she reminded of her missing sister. Hana lives with her lover Hyoshin, but she got attracted by Miyu. And Nyoshin felt jealous of Miyu. Miyu thought that Hana is actually her older sister and asked her to tell the truth. Hyoshin saw two of them talking and killed Hana because of jealous. Hyoshin tried to kill Miyu next and Miyu realized Hyoshin is her sister who had plastic surgery and changed her face. Finally Hana stuck a knife into herself because she knew Miyu always values her sister. Miyu survived, but lost her precious sister.

仁岁千岁（岸尾大辅 配音）自幼失去了父母，在孤儿院里长大，成人后，他住进了父母留给自己的房子里。偌大的屋子内，常年只有他一个人在走动，这份孤独狠狠侵蚀着他的内心，让他常常处于孤独之中。　　某日，五名个性迥异的老师们住进了千岁的房子里成为了千岁的房客。情绪波动非常大的爱哭鬼一文字睦月（浅野琉璃 配音）、沉默寡言面无表情的二之舞如月（木村亚希子 配音）、身为保健老师同时也是剑道高手的三世院弥生（井上喜久子 配音）、个性开朗充满了活力的四天王卯月（古山贵实子 配音）和运动健将五箇条五月（笹岛芳 配音），这五位老师的出现带给了千岁人生新的希望。《欢乐课程》（英文：Happy Lesson）是一部日本动画系列，原作为日本漫画家宫村優子创作的同名漫画。动画系列由Bandai Visual和Lantis制作，于2002年4月至6月在日本首播。《欢乐课程》的故事背景设定在一个近未来的世界，主角是名叫春日野穗高的高中生。在他的母亲过世后，他成为了孤儿，独自生活。然而，他的父亲是一个发明家，在穗高的家中设立了一个名为"欢乐课程"的系统。这个系统以人形电脑的形式，由五位女性老师组成。这五位老师分别是英语老师南央美、数学老师北条秋子、历史老师西园寺美代子、体育老师来ヶ谷唯香和音乐老师轻井沢阳菜。这五位老师不仅负责教授穗高学业上的知识，还会扮演他的母亲角色，照顾他的生活起居。穗高的生活因此变得非常喧嚣和忙碌，每天都有新的事情发生。动画主要以喜剧为主，通过描绘穗高和五位老师之间的互动，展现出欢乐和温馨的故事。在动画中，穗高与每一位老师都有特殊的关系和交流。他们经历了许多搞笑和感人的时刻，同时也揭示了每位老师背后的故事和情感。动画中还出现了其他角色，比如穗高的同班同学和他们的互动关系，以及一些潜在的恋爱线索。《欢乐课程》以轻松幽默的风格，展现了不同角色之间的友情、家庭和成长的主题。它结合了学校生活、喜剧和浪漫元素，为观众带来欢乐和温暖的观影体验。该系列在播出后获得了一定的人气，并推出了后续的OVA和游戏等衍生作品。

过去若有怪兽从环太平洋现身，都会有专为击退牠们而造的巨大机甲猎人奋力反抗。但好景不常，如今澳洲遭到怪兽肆虐，全洲人类被迫疏散。泰勒和海莉这对年幼的兄妹不幸走失，著急地寻找不见踪影的父母，过程中，两人学会操控一个废弃许久的破烂机甲猎人，因而有了突破眼前难关，杀出一线生机的希望。

This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb　　This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 1010　　Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks.　　Intelligent, emotional, tragic and real, this is an absolute gem. 910